Bosoks Project Part 5

Below is the experimental video art piece that I did in the late 2000s. Notice many elements that confirm what I’ve been saying about my background, here, in this blog. My connection to Tony Zanneta and via him to David Bowie. Fred Alan Wolf and my introduction to parallel universes. My former rock’n’roll life style and how the Bosoks Project took over and shifted from being entertainment based to advanced concept science based. Note also the similarity between my Tesla Wall of Light experiment and the Little Hill Field scene from the previous FRINGE video above.

https://vimeo.com/34446883?fl=pl&fe=sh

FRINGE came out the year that Ronald Mallett betrayed me (without my knowledge) and I believe it was actually a response from the Participatory Universe for me to not give up my research. I didn’t, in part because of what FRINGE was doing, reminding me of what had gone on with the Bosoks Project and the potential for lay ahead. In 2012, Mallett having made no attempt to fulfill his part of the bargain, became my competitor and I was free to move forward with the development of the Verdrehung - a metal fan whose blades are enveloped by my STDTS field technology - the idea that Mallett feared.

https://youtu.be/jPEmf4dMu3E?si=3KbhT5VUQR0-0u9G

Compare this shot above to the still photo below, taken from a monitor shot of video of Stephen Hawking’s NASA photo being transmitted through the first time machine, my Verdrehung Fan, years later in 2013. The signal is being distorted horizontally by the rotating STDTS field, the static is signal loss due to micro wormholes that are being forced to stay open longer and larger than normal - to the point that photons from the transmitted signal are starting to enter. There appears to be two “Stephens” because the video fields of the frames are being decoupled during this part of the transmission by the rotating STDTS field. The photo from The Borderland is a special effect depicting the scientist going through a superpositional state. The affected photo of Hawking is real.

(original NASA photo)

Watch the the rock video, Lost In Time, I made for Ben Porter - mixing the concept of a found video tape, a la the film, Cloverfield, and the idea of secret time anomaly research which, in this case, was all real, including the beaming of actual footage of the band into the Verdrehung Fan at the end.

Now watch how this trailer below, for the movie, Synchronicity, about time travel between parallel universes, opens with a shot of a fan and then at :16 on the counter, a device that looks like my Verdrehung Fan in action with a strobe light on - as it appears at the end of Lost In Time. Notice how they even use analog static and video disruption like in my Parallel Universes video, when all TVs now are digital.

Around 2012, I thought the synchronicities were over, but they came back in a big way in 2013, in a wave that I can’t go into, here. Then in 2016 they were gone and I almost forgot about them. Now they’re back, just as I’m getting serious about applying what I learned before with what I’ve learned since. This is the Participatory Universe responding to what I’m doing. It’s telling me that everything is a “go”. That I’m going to end up with what I need to pursue my quest and, just as soon as I’m ready, it will be too…